 | Birth : 11 March 1898, Massillon, Ohio, USA Death : 4 June 1968, Rapallo, Liguria, Italy (bronchial pneumonia) Birth Name: Dorothy Elizabeth Gish Height: 157
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Filmography:
| Screen Snapshots Series 18, No. 12 | Herself (archive footage) | | Camille | Grace | | Brutality | | | The Burglar's Dilemma | Birthday Wellwisher | | A Cry for Help | | | Gold and Glitter | On Street | | The Informer | | | The Musketeers of Pig Alley | Frizzy-haired woman in street | | My Baby | Wedding Guest | | My Hero | The Young Woman | | The New York Hat | (uncredited) | | The Painted Lady | Belle at Ice Cream Festival | | So Near, Yet So Far | A Friend | | Two Daughters of Eve | Theater crowd extra | | An Unseen Enemy | The Sister (younger) | | The Adopted Brother | The Daughter | | Almost a Wild Man | Miss Smart / Sideshow Patron | | Broken Ways | In Telegraph Office | | By Man's Law | At League Meeting | | Her Mother's Oath | The Daughter | | His Mother's Son | Woman at Dock | | The House of Discord | | | Just Gold | The Sweetheart's Friend | | The Lady and the Mouse | The Sick Sister | | The Lady in Black | The Girl | | Oil and Water | In First Audience | | Pa Says | | | The Perfidy of Mary | Rose | | The Reformers; or, The Lost Art of Minding One's Business | Dancer | | Those Little Flowers | A Messenger | | The Vengeance of Galora | (unconfirmed) | | The Widow's Kids | | | Arms and the Gringo | | | The Availing Prayer | | | Back to the Kitchen | | | The Better Way | | | The City Beautiful | | | Down the Hill to Creditville | | | A Fair Rebel | | | The Floor Above | Stella Ford | | Granny | | | Her Father's Silent Partner | | | Her Mother's Necklace | | | Her Old Teacher | | | Home, Sweet Home | Sister of Payne's Sweetheart | | Judith of Bethulia | The crippled beggar | | A Lesson in Mechanics | | | Liberty Belles | | | The Mountain Rat | Nell, ''The Mountin Rat'' | | The Mysterious Shot | | | The Newer Woman | | | The Old Man | | | The Rebellion of Kitty Belle | | | Sands of Fate | | | The Saving Grace | | | Silent Sandy | | | The Sisters | Carol (May's younger sister) | | The Suffragette's Battle in Nuttyville | | | The Tavern of Tragedy | | | Their First Acquaintance | Miriam Talbot | | The Warning | | | The Wife | | | Bred in the Bone | Mercy, at Sixteen | | Her Grandparents | | | Her Mother's Daughter | | | How Hazel Got Even | Hazel | | Jordan Is a Hard Road | Cora Findley | | The Little Catamount | | | The Lost Lord Lowell | | | Minerva's Mission | Minerva | | The Mountain Girl | | | Old Heidelberg | Katie Ruder | | An Old-Fashioned Girl | | | Out of Bondage | | | The Warning | | | Atta Boy's Last Race | Lois Brandon | | Betty of Greystone | Betty Lockwood | | Children of the Feud | Sairy Ann | | Gretchen the Greenhorn | Gretchen Van Houck | | Little Meena's Romance | Meena | | Susan Rocks the Boat | Susan Johnstone | | Her Official Fathers | | | Her Official Fathers | Janice | | Battling Jane | Jane | | Hearts of the World | The Little Disturber (uncredited) | | The Hun Within | Beth | | Boots | Boots | | The Hope Chest | Sheila Moore | | I'll Get Him Yet | Susy Faraday Jones | | Nobody Home | Frances Wadsworth | | Nugget Nell | Nugget Nell | | Peppy Polly | Polly | | Turning the Tables | Doris Pennington | | Little Miss Rebellion | Grand Duchess Marie Louise | | Mary Ellen Comes to Town | Mary Ellen | | Remodeling Her Husband | Janie Wakefield | | The Ghost in the Garret | Delsie O'Dell | | Orphans of the Storm | Louise Girard | | The Country Flapper | Jolanda Whiple - the flapper | | The Bright Shawl | La Clavel | | Fury | Minnie | | Romola | Tessa | | The Beautiful City | Mollie | | Clothes Make the Pirate | Betsy Tidd | | Night Life of New York | Meg | | Nell Gwynne | Nell Gwyn | | Madame Pompadour | Madame Pompadour | | Tiptoes | Tiptoes Kaye | | Wolves | Leila McDonald | | Our Hearts Were Young and Gay | Mrs. Skinner | | Centennial Summer | Mrs. Rogers | | "The Philco Television Playhouse" | (2 episodes, 1949-1954) | | "Robert Montgomery Presents" | Ellen Zalinka (2 episodes, 1952-1953) | | The Whistle at Eaton Falls | Mrs. Doubleday | | The Cardinal | Celia Fermoyle | | "Hollywood" | Herself (archive footage) | | A Duel for Love | | | The Little School Ma'am | Nan | | The Little Yank | | | Stage Struck | Ruth Colby | | The Warning | | | Flying Pat | Patricia Van Nuys | | United States Fourth Liberty Loan Drive | Herself | | Red Hicks Defies the World | Hicks' Sweetheart | | A Cure for Suffragettes | Suffragette | | London | Mavis Hogan | | Harvest | Ellen Zalinka | | Man's Enemy | | | Papa's Baby | Young Mother | | The Suffragette Minstrels | | | The Suffragette Minstrels | Among Suffragette Minstrels |
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Dorothy Gish was born into a broken family where her restless father James Lee Gish was frequently absent. Mary Robinson McConnell, her mother, had entered into acting to make money to support the family. As soon as Dorothy and her sister Lillian Gish were old enough, they became part of the act. To supplement their income, the two sisters also posed for pictures and acted in melodramas of the time. In 1912 they met fellow child actress Mary Pickford, and she got them extra work with Biograph Pictures. Director D.W. Griffith was impressed by both the girls and cast them in An Unseen Enemy (1912), their first picture. Dorothy would go on to star in over 100 two-reel films and features over the years. She would appear in the very successful Judith of Bethulia (1914) with Blanche Sweet. She and her sister Lillian made a number of films together, including the extremely successful Hearts of the World (1918) and Orphans of the Storm (1921). In both films Dorothy would play French girls, but in different periods of time. Lillian would try her hand at directing, with a movie called Remodeling Her Husband (1920), which starred Dorothy and an actor named James Rennie, whom Dorothy would marry and later divorce. While she would excel in pantomime and light comedy, her popularity would always be overshadowed by that of her sister Lillian, who was considered to be one the silent screen's greatest stars. Dorothy would only make a handful of movies in the 1920s, and in Romola (1924)--a costume picture about Italy in the Middle Ages--she would again co-star with Lillian. By 1926 Dorothy had moved to England, where she would star as the title role in Nell Gwynne (1926). Her last silent film would be Madame Pompadour (1927). In 1928 Dorothy would retire from the screen, except for a few occasional roles, and enjoy a long career on the stage.
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